“ ‘Mystery’ is a word for a reason,” he’d said. Early on, he’d recognized the inherent mystery of this process. Being an artist was a constant evolution. For as far back as he could remember, he told the group, he’d written music to imagine-and reimagine-himself. I felt that I was joining a long and august line of people who’d been made to wait by Prince, people who had sat in rooms in this same hotel, maybe in this very room, quietly freaking out just as I was quietly freaking out.Ī few weeks earlier, Prince had hosted editors from three publishing houses at Paisley, and declared his intention to write a memoir called “The Beautiful Ones,” after one of the most naked, aching songs in his catalogue. In my hotel room, I turned the television on. My agent had put me up for the job but hadn’t refrained from telling me the obvious: at twenty-nine, I was extremely unlikely to get it. A member of Prince’s team later told me that, over the years, Prince had paid for enough rooms there to have bought the place four times over. She dropped me off at the Country Inn & Suites, an unremarkable chain hotel in Chanhassen that served as a de-facto substation for Paisley. “Sometimes you gotta femme it up,” she said. She was wearing a plastic diamond the size of a Ring Pop on her finger. Prince’s driver, Kim Pratt, picked me up at the airport in a black Cadillac Escalade. He once said, in an interview with Oprah Winfrey, that Minnesota is “so cold it keeps the bad people out.” Sure enough, when I landed, there was an entrenched layer of snow on the ground, and hardly anyone in sight. Prince treasured the privacy it afforded him.

Paisley Park is in Chanhassen, Minnesota, about forty minutes southwest of Minneapolis. On January 29, 2016, Prince summoned me to his home, Paisley Park, to tell me about a book he wanted to write.

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